Shattered begins with a baseball crashing through a window and then the scene slips into slow motion as you follow the shards of broken glass tinkling and crashing around the room and baseball traveling past your head and the sounds of children running off in the distance.

Leaf features audio mixed by master soundman Gary Rydstrom, animation by Pixar, and makes for a terrific demo. Leaf takes you back into a forest with bugs darting about the room as you slowly move through the branches of a tree and follow a leaf as it breaks free and then spins and twirls around the room, finally settling into a pond. This is a really effective demo with a lot of different audio and visual elements making it appealing and engaging to a large variety of viewers. After a few moments, the soundtrack explodes into a full Atmos mix as satellites and spaceships whiz by overhead. The clip begins by saying, “Right now you are listening to where cinematic audio has been,” with just a traditional, fairly restrained 5.1-channel audio mix playing.

Horizon is a very cool and effective clip that has a running commentary explaining Atmos along with some really aggressive audio mixed to the side, back, and overhead speakers. See Also Loss Payee and Lienholder addresses and contact information updated daily – free list | CSS Insurance Services, llc The Best Hair Salons for NJ Kids Best Black Friday 2022 beauty and grooming deals 9 Different Types of Marketing Campaigns Ultimate Guide (2022) – Woorise Blog Crockett also says an “optimal Dolby Atmos experience” is achieved with four overhead (or upfiring) speakers, but it can be achieved with as few as two or as many as 10.

It will, however, open up a nice dialog between you and customers, and it’s great that there is an Atmos solution for rooms that can’t support in-ceiling speakers for whatever the reason. I do take issue with the statement that you can get the “same incredible experience” with upfiring Atmos speakers, as in my personal experience this is not the same and definitely ceiling and room dependent.

Brett Crockett, Dolby’s senior director of research, Sound Technology, does a nice job explaining and simplifying how traditional channel-based surround sound mixing works and why Atmos’ new object-based audio system gives sound designers better tools to move sounds precisely around the room and even overhead to deliver the ultimate immersive experience.Ĭrockett also explains the components needed to create a Dolby Atmos home theater environment.

Best dolby atmos demo disc